![]() | NIGHT LIFE DON'T GO TO STRANGERS ROAD AIN'T NO PLACE FOR A LADY RIO DE JANEIRO BLUE IN THE WEE SMALL HOURS OF THE MORNING I CAN'T QUIT YOU BROKEN DOWN KITCHEN BLUES NINETY-NINE MILES FROM L.A. I DON'T WANT NOTHIN' FROM NOBODY NO MORE BLUES (CHEGA DE SAUDADE) TWO FOR THE ROAD I'VE NEVER BEEN TO ME
|
| The Road Ain't No Place For A Lady |
Lori Donato's artistry is graced with urbane sophistication, sly wit and an incandescent musicality. The glamorous songstress, who has entertained audiences worldwide, now presents a well-stamped musical passport with "The Road Ain't No Place For A Lady", 12 songs that map a journey from her heart. As Donato wraps her lustrous vocals around these songs the miles move to the rhythms. Donato's self-penned title track says best: "The Road Ain't No Place For A Lady, but I plan to be a lady no matter what the road does to me." From the smoky strains of Willie Nelson's classic "Night Life," which introduces the suite to the hushed intimacy of "In The Wee Small Hours of the Morning," and finally the empowerment of "I've Never Been to Me," these lyrics provide a endearing text of roads traveled, songs sung, souls touched. It's been a circuitous journey, but Lori Donato has always been in the driver's seat. Growing up, she had a built-in audience, five brothers and sisters. In high school she gravitated toward the choir and the stage, and majored in music at the University of South Dakota. "But I was always very practical," she recalls, "and I knew there was no living to be made in the arts. So I figured I'd become a high school drama and music teacher." She moved to Los Angeles, earned her teaching credentials from UCLA, and directed shows as a theater teacher. |